After questioning his work, he misses the gesture of writing. He reintegrates this gesture into his new works. The speed of execution between the thought and the action of painting, allows him to lose nothing of what he feels.
On a constructed and elaborated background, the hand takes the reins, with a gesture sometimes instinctive, the automatic writing harmonizes on the canvas. The meaning of his writings corresponds to thoughts, like haikus in landscapes.
The harmony of the background and writing as a mental reflection followed by action and instinct take power with a desire for aesthetics

The use of laminated wood, worked horizontally and associated with black paint gives a “Soulagian” tone to Arthur’s new creations.
By getting rid of colors to keep only the black in its different aspects velvety, glossy, matt or satin, Arthur plays with the light and he emphasizes and reveals the materials he uses.

This series started by chance. By manipulating materials of recovery, Arthur was inspired by the forms that nature offered him to build buildings, cities. He added elements like concrete, plaster, paper to his creations and he used the color and the texture of his painting so as to complete them and sublimate them.